




Sounding Whale - Labrador Sea 199827" x 38" Oil Tempera on Panel
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Edmonton, Alberta · Est. 1975
Founded in 1975, West End Gallery has been a cornerstone of Edmonton's arts community for five decades. Located in the heart of Alberta's capital, we take pride in our deep roots and our commitment to showcasing exceptional artwork from talented artists across Canada.
Sounding Whale - Labrador Sea 1998 | 27" x 38" Oil Tempera on Panel
About the Artwork
Sounding Whale – Labrador Sea is a 27" × 38" oil on panel created in 1998 by David Blackwood RCA (1941–2022). The massive tail of a whale rises from turbulent seas, rendered in deep blacks and rich purples. Luminous spray cascades from the flukes in pale pinks, lavenders, and whites—colours that transform observation into something approaching the spiritual. For Blackwood, the whale represents the threshold between seen and unseen worlds; the act of sounding—diving deep—becomes a metaphor for transformation and passage.
Blackwood first encountered these waters at five years old, standing on the deck of his father's schooner. Captain Edward Blackwood was skipper of the Flora S. Nickerson, a Labrador fishing vessel that worked the northern cod grounds each summer. Young David would sail with him "down to the Labrador area, up to as far as Cook's Harbour and Cape Harrison."1 Those voyages gave Blackwood something no art school could provide: the particular light of the northern sea, the presence of whales, the vastness that would later fill his canvases. The two-masted schooner on the horizon is a deliberate reference to the sailing vessels his father knew intimately in these same waters.
The glow in this painting comes from nowhere and everywhere. Blackwood spoke directly about this: "In many cases the light is coming from within. People naturally ask, 'Where is it coming from? Sunshine? Where?' Well, in many cases the light is, for example, inside the iceberg coming out, and the light is inside the person, coming from the person, emanating from the hand, sometimes the glove... but from within."2 The work rewards extended viewing.
This acquisition extends beyond the artwork itself. Included is a remarkable archive: Blackwood's handwritten letter discussing the work, original photographs, and the 1998 bill of sale—establishing unbroken provenance directly from the artist. The letter elevates this from authenticated to narrated: a collector can speak about this work with the artist's own words.
Dimensions and Details
- Title: Sounding Whale – Labrador Sea
- Artist: David Blackwood RCA (1941–2022)
- Year: 1998
- Size: 27" × 38" (68.6 × 96.5 cm)
- Medium: Oil on panel
- Provenance: Direct from the artist to West End Gallery, 1998
- Condition: Excellent. No visible craquelure, losses, or restoration. Original surface shows vibrant colour saturation with luminous pinks, lavenders, and deep purples fully intact. Professionally framed. Accompanied by complete archival documentation including artist's handwritten letter, original photographs, and 1998 bill of sale establishing direct provenance from the artist.
Exceptional Archival Documentation
This painting is accompanied by a meticulously preserved archive of artist-issued materials from the original 1998 transaction:
- Original handwritten letter from David Blackwood discussing the work
- Two original photographs of the painting
- Original bill of sale from 1998
- Original mailing envelope
These materials form an exceptionally complete documentary record, providing institutional-level provenance and significantly enhancing both scholarly and collectible value.
Market Context
Major oil paintings by Blackwood are considerably rarer on the market than his celebrated etchings. Whale compositions remain among the most sought-after works in his oeuvre, particularly following the Art Gallery of Ontario's major retrospective. Works of this calibre and provenance rarely appear on the private market.
Acquisition Enquiries
Sounding Whale – Labrador Sea is offered exclusively through West End Gallery. We invite collectors to contact us directly to arrange a private viewing. Given the exceptional provenance and archival documentation, early enquiry is recommended.
Citations
- David Blackwood, quoted in interview transcript, The Rooms Provincial Art Gallery, St. John's, Newfoundland, 2011.
- William Gough, David Blackwood: Master Printmaker (Toronto: McGraw-Hill Ryerson, 2001).
Accessibility Description
The painting depicts a whale's tail rising almost vertically from rough seas near the centre of the composition. The tail is massive and rendered in deep blacks and rich purples with visible striations suggesting the texture of whale skin. The flukes span much of the upper canvas, dominating the composition with their dramatic vertical thrust.
Luminous spray cascades from the tail in pale pinks, lavenders, and whites, creating vertical and diagonal streaks against the dark form. Behind the tail, a dramatic burst of light radiates outward in pale yellows and whites, creating an almost supernatural glow. The sea is rendered with bold, visible horizontal brushstrokes in Prussian blues, teals, and deep navy, with white foam suggesting violent movement and turbulence.
On the left horizon, a small pale iceberg sits low against the darker water. In the middle distance, slightly left of centre, a two-masted sailing vessel appears as a small but clearly defined silhouette with dark sails. The sky shows horizontal and diagonal brushmarks echoing the movement of the sea below. The overall palette is dominated by deep blues, blacks, and purples, with pale pinks, lavenders, and whites providing luminous contrast in the spray and light burst. Medium: oil on panel, 27" × 38" (68.6 × 96.5 cm).
Full Provenance
- 1998: Created by David Blackwood in Port Hope, Ontario
- 1998: Acquired directly by West End Gallery Ltd., Edmonton, Alberta (original bill of sale retained)
- 1998–Present: Private collection, acquired through West End Gallery
Disclaimer
This description has been prepared by West End Gallery using original documentation and current scholarship. Whilst every effort has been made to ensure accuracy, minor variations or additional information may emerge through ongoing research. Prospective purchasers are encouraged to contact us to confirm any details critical to their acquisition decision.
Shipping & Exchanges
SHIPPING
All artwork is professionally crated and shipped via insured courier service. Shipping rates are calculated based on artwork dimensions and destination.
Delivery Methods:
• Local Pickup — Free at our Edmonton gallery (10337 124 Street NW)
• Local Delivery — complimentary within of Edmonton area
• Canada-wide Shipping — Canada Post, Canpar, Purolator or private courier
• US Shipping — DHL Express
• International & Overseas — DHL Express
Final shipping and handling costs will be confirmed with a quote before payment. Delivery times may vary due to weather, supply chain disruptions, or other factors beyond our control.
INSURANCE
Insurance coverage is not included in shipping estimates and is available upon request.
Exchange
We do not offer refunds, however we allow exchange or store credit within 72 hours of receipt, provided the artwork is returned in its original condition and packaging. Read more
Artwork Care
CARING FOR YOUR ARTWORK
Display
Hang artwork away from direct sunlight, heat sources, and air vents. UV exposure causes fading over time — UV-protective glazing is recommended for works on paper and photography. Avoid hanging artwork above fireplaces or in bathrooms where heat and humidity fluctuate.
Cleaning
Dust frames gently with a soft, dry cloth. Never use household cleaners, water, or solvents on the artwork surface. For oil paintings, a soft-bristle brush can be used lightly to remove surface dust. Professional cleaning is recommended for valuable or delicate pieces.
Temperature & Humidity
Maintain a stable environment — ideally 18–22°C (65–72°F) with 40–55% relative humidity. Rapid changes in temperature or humidity can cause warping, cracking, or flaking. In Alberta’s dry climate, a humidifier can help protect your collection during winter months.
Handling & Moving
Always handle artwork with clean, dry hands or cotton gloves. Carry framed works by the sides of the frame — never by the hanging wire. When transporting, wrap in acid-free tissue or soft blankets and keep upright. For valuable pieces, professional art handlers and custom crating are recommended.
Storage
Store artwork upright in a cool, dry, dark space. Use acid-free materials for wrapping. Never store artwork in attics, basements, or garages where temperature and humidity are uncontrolled.
Insurance
We recommend insuring your art collection. An up-to-date appraisal (every 2–3 years) ensures proper coverage. West End Gallery offers professional appraisal services — please enquire for details.
Questions?
Contact us at info@westendgalleryltd.com or 780-488-4892. We’re always happy to advise on the care of your collection.
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