A. Please use the "Enquire Online" button. We will reply to your request as soon as possible!
Q. Are the colours accurate?
A. We do our best! We can send more photographs or even chat over FaceTime to assist you.
Q. How are you sizing the artwork?
A. We use inches (H x W) and only list the canvas size without a frame.
Q. What does Framed or Unframed mean?
A. Unframed implies the artist intends the painting to be displayed without a frame. Traditionally, the canvas is finished on the sides with a black edge, or the image wraps around to the back.
Framed implies that the artists intends the artwork to be framed, and the price includes the cost of framing by our gallery. We do not list the framed size, as you may choose framing options, depending on availability. Restrictions apply.
Q. Can paintings listed as Unframed be framed?
A. In many cases, yes. Please send us an enquiry regarding the painting you wish to be framed. Please note, the cost of custom framing is not listed on our website.
Q. Can a piece of art be shipped from your other location for a viewing?
A. Artwork transfers between our galleries can be arranged depending on availability and being part of an active exhibition. There is a nominal fee to cover to cost of shipping and handling. *Conditions & restrictions apply.
If you have any further questions or any of these Quick FAQ's are not clear, please contact us!
Born in Portugal, Maria Medina immigrated to Revelstoke, British Columbia, with her parents at a young age. Since then, she has travelled and lived in many parts of North America, including Mexico, Texas, and Edmonton, eventually settling down again in Revelstoke. Following a career that touched on various paths, from forestry to graphic design, she began taking art classes at the Kootenay School of Arts in Nelson, starting in sculpture and metalwork and eventually moving into painting. The switch, she explains, came from a simple starting point. “I just wanted to work with colour.”
Medina’s large-scale oil paintings are filled with detail and attention to the composition of her sculpture background. Her brilliantly coloured still lives seem straightforward at first glance. Still, closer inspection reveals oddities and surrealism that elevate her compositions to the extraordinary – a swarm of butterflies perches and hovers around an exuberant bouquet, a kingfisher perches on a watermelon with a fishing lure in its beak, two tanagers study each other from a massively oversized urn and absurdly tiny chair.
“Painting is like skiing; it doesn’t matter how you get down the hill, as long as you’re having fun. I’m always relieved to finish something I’ve spent two months looking at, but I like the whole thing. Otherwise, why would you do it?” - Medina