A. Please use the "Enquire Online" button. We will reply to your request as soon as possible!
Q. Are the colours accurate?
A. We do our best! We can send more photographs or even chat over FaceTime to assist you.
Q. How are you sizing the artwork?
A. We use inches (H x W) and only list the canvas size without a frame.
Q. What does Framed or Unframed mean?
A. Unframed implies the artist intends the painting to be displayed without a frame. Traditionally, the canvas is finished on the sides with a black edge, or the image wraps around to the back.
Framed implies that the artists intends the artwork to be framed, and the price includes the cost of framing by our gallery. We do not list the framed size, as you may choose framing options, depending on availability. Restrictions apply.
Q. Can paintings listed as Unframed be framed?
A. In many cases, yes. Please send us an enquiry regarding the painting you wish to be framed. Please note, the cost of custom framing is not listed on our website.
Q. Can a piece of art be shipped from your other location for a viewing?
A. Artwork transfers between our galleries can be arranged depending on availability and being part of an active exhibition. There is a nominal fee to cover to cost of shipping and handling. *Conditions & restrictions apply.
If you have any further questions or any of these Quick FAQ's are not clear, please contact us!
Paul was born in Calgary, Alberta on April 25, 1974. At the age of six, his family moved to the picturesque community of Crawford Bay, British Columbia. Growing up surrounded by the breathtaking beauty of the Kootenay region’s mountains and lakes instilled in Paul, a love of nature that inspires much of his art to this day. At the age of 15, Paul began his blacksmithing apprenticeship at the Kootenay Forge under the mentorship of John Smith. When Paul was 20 years old, he became the head blacksmith at Fort Steele Heritage Town, just outside of Cranbrook, BC. In 2001, at the age of 26, Paul began his own blacksmithing business with six employees. Today, Paul lives with his wife and two children in Cranbrook. Family and community involvement are the most important elements of Paul’s life.
Through his early public art projects he was able to facilitate substantial positive changes in the way that people in Cranbrook relate to their community and to each other. He has since, been able to bring that same spirit of community building with public art projects to many other cities. For centuries the blacksmith has been a master of utilitarian sculpture. Kings have called on blacksmiths to build gates and railings and furniture that have outlasted their royal selves by centuries. Today, the craft of the artist-blacksmith remains entrenched in that respected tradition: to create lasting beauty from iron. When it gets red-hot, iron takes on a malleable quality that, can be formed into a limitless variety of shapes and forms. The artist’s creativity flows easily into the red-hot iron and once it cools, you can rest assured that that piece will remain intact for generations.