Q. How do I purchase a painting online?
A. Please use the "Enquire Online" button. We will reply to your request as soon as possible!
Q. Are the colours accurate?
A. We do our best! We can send more photographs or even chat over FaceTime to assist you.
Q. How are you sizing the artwork?
A. We use inches (H x W) and only list the canvas size without a frame.
Q. What does Framed or Unframed mean?
A. Unframed implies the artist intends the painting to be displayed without a frame. Traditionally, the canvas is finished on the sides with a black edge, or the image wraps around to the back.
Framed implies that the artists intends the artwork to be framed, and the price includes the cost of framing by our gallery. We do not list the framed size, as you may choose framing options, depending on availability. Restrictions apply.
Q. Can paintings listed as Unframed be framed?
A. In many cases, yes. Please send us an enquiry regarding the painting you wish to be framed. Please note, the cost of custom framing is not listed on our website.
Q. Can a piece of art be shipped from your other location for a viewing?
A. Artwork transfers between our galleries can be arranged depending on availability and being part of an active exhibition. There is a nominal fee to cover to cost of shipping and handling. *Conditions & restrictions apply.
If you have any further questions or any of these Quick FAQ's are not clear, please contact us!
Nicola Mainville has studied woodworking and glass techniques at various institutions including CEGEP of Old Montreal, Quebec School of Woodworking, Montreal, and Espace Verre, Montreal. She specializes in creating musical instruments from glass and carved wood; she has even given multiple lectures and performances featuring her self-made instruments. Her pieces are featured in both national and international collections.
"Musical instruments are for me a great source of inspiration. Composing with different cultures, composing with different materials, I create weaved instruments, between wood and silica, between tradition and innovation. I see my work as a return to the source, a movement, fragile and tribal at the same time. Loving wood, glass and music, I am looking to fuse my different fields of knowledge, my different loves, to be able to make surge unexpected objects. Through my sound research, I have come to develop a clear, pure and crystal like sound. My sculptural instruments will charm the ears of anyone who dare to try the tone."